hot bright day

Ray Baskerville

Simon Mclennan

the artist Heath Bunting also appears with a super8 camera

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‘The secret of the utility of the hydraulic mains lies in the fact that water is virtually incompressible, and is therefore an ideal agent for transmitting power from one place to another. In London, water power was transmitted through a vast network of hydraulic mains to thousands of hotels, shops, offices, mansion blocks, hotels, docks and factories.

(It) was controlled by the London Hydraulic Power Company, incorporated by Acts of Parliament between 1871 and 1903. Until it closed in 1977, the company supplied water at a pressure of 700 lb. per sq. in., day and night, all the year round, through some 150 (180 before the war) miles of cast-iron and steel hydraulic mains laid under the streets of London.’

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‘….installations that survived into the 1970s were lifts. At Union Bank Chambers, 61 Carey Street, WC2, the main passenger lift operated on a hydraulic ram, with electric press-button control. With passengers aboard the lift car traveled at normal speed but when called from rest, the ram propelled the car at a truly unnerving rate of knots.’

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quote sources : Andy Emmerson through http://www.subbrit.org.uk

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image courtsey of the David Phillips collection

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Rhombus section
addendum by ‘undisclosed person’

“better to think about what is done with what is done rather than think about what is to be done before doing.”

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Studying the whereabouts of the vibrational field in regards to creation, it can co-exist within two artists at the same moment.Here my vision of a juxtaposition is precisely rendered by another person whilst I stop her falling off the fence.

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Outdoor photography by ‘undisclosed person’
Leghold by Robert Ross

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